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General Category => Gustav Mahler and Related Discussions => Topic started by: David Boxwell on April 09, 2022, 06:32:25 PM
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Gillian Moore, Director of Music & Performing Arts at London's Southbank Centre (and Advisory Member of the Mahler Foundation), auditions eight of her favorite recordings for "Building a Library" for a final recommendation.
They are: Walter '38; Horenstein '53; Barbirolli '64; Haitink '69; Bernstein/BPO '79; Boulez '95; Abbado/BPO '99; and . . . Rattle/BPO '07.
bbc.co.uk
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Mine are
1. Bernstein/RCO/DG
2. Bernstein/NYPO/Sony
3. Levine/PO/RCA
4. Solti/LSO/Decca
5. Ozawa/BSO/Philips
6. Ozawa/SKO/Sony
7. Karajan/BPO/DG (1982)
8. Haitink/RCO/Philips
PS If you can find, try pirate versions of Bernstein/BSO Tanglewood (79), Tennstedt/NYPO (1981?), the two greatest M9ths I know of.
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My list is shifting all the time, but here I am today for my top eight M9s while we’re on the topic:
1. Haitink / BRSO
2. Gilbert / Stockholm
3. Chailly / RCO
4. Haitink / RCO studio
5. Karajan / BPO live
6. Ančerl / CPO
7. Blomstedt / Bamberg
8. Bernstein / NYPO
(9. Abbado / BPO)
(10. Nott / Bamberg)
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Let's face it, most everyone does the 9th well. As Dave Hurwitz says, orchestras always to rise to the occasion when it comes to M9. That said, Bernstein/Boston tops the list for me. I like both Karajan recordings very much (plus a 'live' Salzburg pirate), as well as both Ozawa ones. For a single disc, I really do like the recent Adam Fischer one.