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General Category => Gustav Mahler and Related Discussions => Topic started by: barry guerrero on April 13, 2013, 08:07:20 AM
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I've really enjoyed getting reacquainted with the Barenboim M7 on Warner Classics. It's very well played and recorded. More importantly, it's one of the few M7 recordings where BOTH of the last two movements are great. It may not be the very best (what is?), but it has to be right up there.
I saw Barenboim do M7 in Carnegie Hall with the C.S.O., but I think this Staatskapelle Berlin one is even better.
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Thanks for the recommendation, Barry. I have his Beethoven symphonies box with the same orchestra, and his attempt to follow in the footsteps of Furtwangler fell far short.
So good to hear that his M7 fills the bill.
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Well, . . . I don't think that his Berlin Beethoven sounds anything like Furtwaengler's. Was he trying to emulate him? I like that cycle very much, to be honest.
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Relative to Barenboim/LvB, the SQ is very good, and nos. 6, 7 and 8 are well-performed. His 9th was a huge disappointment, lacking passion and excitement. Not even as good as Vanska, and definitely not in same league as Furtwangler, Fricsay, Wand, and Karajan '63. Better than Giulini, though.
As for no. 3, not bad, but no match for Karajan '63 or Bernstein/NYPO. Same with no. 5, and of course with this one it is hard to beat Kleiber.
All this is surprising, given that his LvB violin concerto with Perlman/BPO is still at the top. Perhaps he has lost a great deal with age, and it has not been replaced by more profound insights either.
But given your experience, I will have another listen. Thanks.
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Relative to Barenboim and Furtwangler, here is the link to an article about the latter, ostensibly written by Daniel.
http://www.danielbarenboim.com/journal/why-wilhelm-furtwaengler-still-moves-us-today.html