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General Category => Gustav Mahler and Related Discussions => Topic started by: barryguerrero on June 15, 2022, 06:39:31 PM

Title: online broadcast of M7: D. Robertson/Los Angeles Phil. on Sunday 6/19, 7pm (pst)
Post by: barryguerrero on June 15, 2022, 06:39:31 PM
Here's the L.A. Phil's streaming broadcast listing on KUSC Radio. Mahler 7 with David Robertson (it says Bychkov, but he cancelled) is on this coming Sunday, 6/19 at 7pm Pacific time. We're currently on Daylight Savings Time, so be careful. I certainly plan to hear this.

https://www.kusc.org/radio/on-demand/socal-sunday-night-on-demand/
Title: Re: online broadcast of M7: D. Robertson/Los Angeles Phil. on Sunday 6/19, 7pm (pst)
Post by: erikwilson7 on June 16, 2022, 04:52:08 PM
Do we know anything about David Robertson? Frankly, this is my first time hearing the name.
Title: Re: online broadcast of M7: D. Robertson/Los Angeles Phil. on Sunday 6/19, 7pm (pst)
Post by: barryguerrero on June 17, 2022, 04:14:28 AM
Yes, D.R. had the St. Louis Symphony after Hans Vonk. I saw him give an outstanding Mahler 5 with St. Louis in Zellerbach Auditorium in Berkeley, Ca. Only Bernstein/Vienna Phil. was more memorable to me. D.R. was known as a Boulez specialist, and had made the first recording of the COMPLETE Boulez "Notations" on the Naive label.
Title: Re: online broadcast of M7: D. Robertson/Los Angeles Phil. on Sunday 6/19, 7pm (pst)
Post by: barryguerrero on June 20, 2022, 04:43:19 AM
To me, the Mahler symphonies that are best tailored to the Los Angelses Phil. and Disney Hall are the 4th and 7th. Tonight's broadcast on KUSC confirmed that thought in my mind. I've been wanting to hear the LAPO play M7 for a very long time. This was truly a super-virtuoso, 'concerto for orchestra' type performance. Robertson's 'interpretation' (i.e. tempo relationships) were straight forward and 'non interventionist' to almost a fault. However, THAT SAID, he did make the final peroration in the finale about as protracted as you could possibly hope for. A bit more of deep bells and cowbells would have done the trick, but I think that that was partly a function of the broadcast recording. The finale, in particular, was nearly stupendous. Both Nachtmusik movements were very good. I also appreciated that Robertson did not rush the quiet passage in the second movement (1st Nachtmusik), where the two horns do a 'call and response' number, while the cowbells are quietly bonging away offstage. That was nicely atmospheric. The middle section of the first movement was really well done also. I'm glad I listened to this.

I just discovered that KUSC does keep these up online for a week or so. Soooo, if you missed it and still want to hear it, here you go. Just ignore the exaggerated and ridiculous read-off program notes at the start. They still wrongly have Semyon Bychkov listed as the conductor. Robertson subbed for Bychkov.

https://www.kusc.org/radio/on-demand/socal-sunday-night-on-demand/