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It's pretty heavily cut, and the form to the first scherzo is completely changed. It might not be so bad if it weren't for the fact that Gamzou exaggerates the differences between fast and slow sections to such an extreme extent. It strikes me as 'overwrought' without addressing or solving the 'real' issues of the work.
"This tour is the real world premiere of my new version of Gustav Mahler's tenth Symphony. The premiere in Berlin last year felt like a rehearsal and with both subsequent revisions and time for the music to mature, the final work has now arrived." Joel Gamzou