It's an excellent recording of the Cooke version. Great conducting. What few changes Dausgaard makes, make total sense. The recording sounds excellent and the Seattle Symphony play like Mahlerian gods. Like the Ormandy version, the entire piece goes by in one breathe. Yet, the strings play with tons of passion in the outer movements. Tuba player Chris Olka makes the most lugubrious meal out of the finale's opening solo of any tuba player, and the solo bass drum strokes strike me as being absolutely ideal. What a 'shocker' right out of left field.