I listened to just the first three movements so far (it was very late). Indeed, this bodes well for the future recordings. There are some boo-boos here and there, but nothing too serious. More to the point, they really have the right sound and feel for this music. I find that interesting. I knew a Czech horn player who came to America (S.F). In my brief conversations with him, I didn't get the impression that they're all that crazy about Mahler in Prague. Just the opposite of Mozart, Mahler had no special love for Prague either. Yet, they do seem to have an innate feel for it. I think it has to do with the Czech traditions of Smetana, Dvorak, Forester and all, as well the nice acoustics of the hall (whatever name they give it - they seem to have 12 names for that hall).
