Barry, what are your ‘hits and misses’ for this cycle? I know you love the 7th (as do I), and I remember some of what you said about the others. But overall, what would you say are your favorites and least favorites here? For me, 4 and 7–10 are all superb. I think the weak ones are the 5th and 2nd, and they aren’t too bad anyway.
This cycle’s had its detractors (understandably), but if you’re someone who likes this kind of sound and approach it’s a winner. The closest comparison is to Boulez’s, in my opinion: dry, extremely detailed recordings that leave no note of the score unturned, but at times the conducting may be questionable.
It’s unique and interesting enough to have earned a spot in my library.