It's a very exciting, over the top performance. However, the sound isn't nearly as good as it is on the LSO M6 recording with Harold Farberman on Vox Box. The RCA sound actually distorts in a few spots. Levine overplays the big tam-tam stroke near the end of the scherzo movement. It's only marked forte, but Levine plays it as a full fortissimo. That's OK, I guess, but it really sticks out, and it distorts on the recording (splashy sounding Paiste gong). Cowbells and hammer strokes are nothing to write home about. But as usual, the LSO horn section has a field day. I don't think that the sixth symphony is a piece that the LSO sounds all that correct for. Of the several recordings that they've made of it, I like the Farberman best.
Barry