I know that the young conductors have their growing contemorry vision of Mahler that we try to benefit from. but ,as we all know, these are deep waters. think of the opening of the the 7th.
Gielen is important but now gone. We have whoever our most cherished past figures that we know. Not everything is immediate impetus. We still have Haitink, and Thomas, and Chailley, experience in life and music must be acknowledged.
And strangely Adam Fischer now emerges as an important rich voice, little known to us before a couple of years ago.
New impulses and experienced reflection are both needed.