I have a feeling that Dave Hurwitz may disagree with me on this, but I think that the Noseda recording of Cooke III is much, much better than the recent Gielen. Gielen was good in the sections that resembled the Viennese "second school" composers: Berg, Schoenberg, & Webern. Hence, his second scherzo was outstanding, along with the faster development section of the fifth movement. But Noseda is intense and "impassioned" from start to finish. The BBC Phil. play fabulously, and the sound quality is truly first rate. For anyone who pines for the old Wyn Morris M10, this Noseda one could do the trick for you - he's very deliberate and rhythmic in the two scherzos. As an FYI, Noseda does add the badly needed cymbal crash at the end of the first scherzo. However, he does have two separate bass drum strokes between the fourth and fifth movements (Rattle has proven that one is all that's necessary). And by the way, the bass drum sounds like it's played loudly from a good distance - possibly backstage.
Now, all that said, was this recording of Cooke III really necessary? I guess not, but there's always room for one that's this good. But what's truly needed is a top drawer, studio quality recording of the Samale/Mazzuca version. And on that note, I'm hoping that Todd will chime in.
Barry