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Author Topic: Favorite M9?  (Read 931 times)
John Kim
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« Reply #15 on: February 04, 2010, 12:48:37 AM »

But for me, it is the Oue's version that reigns over all other recordings for now. Todd, Barry, and I discussed about the recording numerous times, so please refer to the old postings for details.

John,

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chalkpie
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« Reply #16 on: February 06, 2010, 06:00:04 PM »

Chailly/RCO
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Michael
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Adagio Appassionato, Addolorato A Niente


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« Reply #17 on: February 18, 2010, 06:51:02 AM »

I've spent a bit of time listening to the Lenny/RCO M9 and I must say...I really like it!  It's too early for me to say definitively yet but I think that one might be my favorite Bernstein M9th.
However...that said...it seems in the Finale as though the sonic characteristics change a couple of times.  I've only listened once, and I hope that is not the case...because honestly it was quite noticeable and distracting from the mood of the performance.
Any thoughts, John or anyone else who is a little more familiar with this recording?
« Last Edit: February 18, 2010, 07:09:02 AM by Michael » Logged

Michael
John Kim
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« Reply #18 on: February 18, 2010, 12:28:04 PM »

I've spent a bit of time listening to the Lenny/RCO M9 and I must say...I really like it!  It's too early for me to say definitively yet but I think that one might be my favorite Bernstein M9th.
However...that said...it seems in the Finale as though the sonic characteristics change a couple of times.  I've only listened once, and I hope that is not the case...because honestly it was quite noticeable and distracting from the mood of the performance.
Any thoughts, John or anyone else who is a little more familiar with this recording?
Michael,

As far as I can recall, there were no such sonic glitches. But perhaps I should return to the recording and listen carefully.

Can you give me the spots in IV you found problematic?

John,
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Michael
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« Reply #19 on: February 18, 2010, 06:38:21 PM »

Hi John,

Well, on second listening, everything sounds okay.  I probably had my volume too high and admittedly I was not in the best of listening environments.  Also, I'm having a few problems with headphones, so...

Take care,
Michael

P.S. Is it me or is the Finale really slow?
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Michael
John Kim
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« Reply #20 on: February 18, 2010, 06:41:44 PM »

P.S. Is it me or is the Finale really slow?
Its is SLOOWWW. But it is INTENSELY slow, so every bar, every measure counts in Lenny's reading.

So, it doesn't matter and doesn't bother me at all that it's SO slow.

John,
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John Kim
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« Reply #21 on: February 18, 2010, 07:32:45 PM »

It's amazing because if you look at the score there aren't all that many pages for the Adagio. You would think the movt. will be all done within just 10 min. Roll Eyes

John,
« Last Edit: February 18, 2010, 11:18:31 PM by John Kim » Logged
mahler09
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« Reply #22 on: April 26, 2010, 10:57:59 PM »

Riccardo Chailly & RCO's recording of the ninth is good and his complete Mahler symphonies (in box set) are very well done overall.  (In fact they make up my favorites for many of the symphonies.)  My favorite has Simon Rattle with the Berlin Philharmonic though for No. 9. 
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barry guerrero
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« Reply #23 on: April 27, 2010, 02:46:39 AM »

single disc: Alan Gilbert/RSPO (BIS)

2 disc set: "live" Karajan, 1981

bootleg: Bernstein/B.S.O./Tangelwood, 1979
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Leo K
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You're the best Georgette


« Reply #24 on: May 02, 2010, 04:55:18 PM »

single disc: Alan Gilbert/RSPO (BIS)

2 disc set: "live" Karajan, 1981

bootleg: Bernstein/B.S.O./Tangelwood, 1979

You have reminded me to return to the Gilbert M9...

His M3/NYPO is out of this world...it has become one of my favorite recordings of Mahler ever.

--Todd
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John F
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« Reply #25 on: May 04, 2010, 09:20:24 PM »

A couple other recordings not yet mentioned that I enjoy are:

Kurt Sanderling / BBC

Barenboim / Staatskapelle Berlin

John

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