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So according to this article that was published at the Slippedisc website, Bychkov will lead another Mahler 8 in Prague in - I presume - 2025 (maybe later). Here goes:

https://slippedisc.com/2024/04/breaking-bychkov-names-exit-date-at-czech-philharmonic/
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I haven't listened through entire BRSO issue of Jansons M3 yet. Clearly the sound quality is better on the Haitink. The Jansons is recorded more closely. I think the percussion are a bit better on the Haitink, but Jansons' N. Stutzman is clearly the better singer - a true contralto. Both of them are really good with the last 7 minutes of the Adagio. Your thoughts, please. Pros and cons.

Erik, I would be interested in your thoughts on the Adam Fischer M3 vs. Jansons/BRSO M3 (I think you know them both pretty well). I think you've commented that you wish Adam Fischer had the BRSO at his disposal.
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I would like to pass on my "Absolutely on Music - Conversations with Seiji Ozawa" book by M. Murakami (paperback). I would prefer to ship it within the U.S. I would ship free of charge, if 'media rate' is acceptable to you (it does take longer). It has one very good chapter covering Gustav Mahler. If nobody from the U.S. wants it, and somebody from outside of the U.S. wants it, I ask that you pay for the shipping first (I'll figure out that amount). Either way, please respond by typing "PM sent", then send my a Private Message. The Mahler chapter is very good. If no-one here wants it, then I'll donate somewhere here.
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Gustav Mahler and Related Discussions / Re: What next? . . .
« Last post by barryguerrero on April 18, 2024, 05:58:11 PM »
Since Johan Botha passed away, no tenor seems to up to being closer to a true Heldentenor. Brandon Javanovich is excellent on the Markus Stenz M8, but he doesn't seem to be doing M8 any more (probably needed too badly in opera productions). Let's hope that Bychkov secures a good cast of soloists and, above all, finds a better than adequate tenor.

I deleted my Solti rant because it added nothing but negativity. You guys know I feel about his work - worst conductor I've ever seen in a live performance ever. To be fair, it was pretty late in his career.
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Gustav Mahler and Related Discussions / Re: What next? . . .
« Last post by ChrisH on April 18, 2024, 02:00:16 PM »
It seems Bychkov is leaving the Czech Philharmonic in 2028. This report from Slipped Disc claims that the Mahler Cycle is basically ready to go.

"Here in Prague, we will combine (not in the same performance!) two enormous masterpieces which are so related spiritually: Bach’s B minor Mass and Mahler’s 8th Symphony. Mahler’s performances will bring us to the completion of the recording cycle of his symphonies, which will have taken 7 years to realize."

https://slippedisc.com/2024/04/breaking-bychkov-names-exit-date-at-czech-philharmonic/
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Gustav Mahler and Related Discussions / Re: What next? . . .
« Last post by waderice on April 16, 2024, 10:38:05 AM »
Even though the early M8 recordings (Abravanel, Bernstein, Haitink, Kubelik, and Solti) were all studio recordings, nearly all live recordings of the work after those five sound so much better as performances, not as big blast fests.  I know that there are a few recordings after those initial five that were recorded as studio ones, but I don't know nor particularly care what those are.  I'm quite happy that the recording by Philly/Nézet-Sëguin observing the hundredth anniversary of the work's first performance in America was a live recording, and that has the intensity as to how the work should sound.  Musical.  Not a blast fest.  And I'm so happy that I was at that performance!  You could feel how charged the air was in the Verizon Hall at the Kimmel Center (Verizon Hall will shortly be renamed/rededicated as the Marian Anderson Hall) when the performances took place.

Wade
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It was with what is now called the NDR Elbphilharmonie Hamburg Orchester. I'm guessing it was the same NDR orchestra that Gunter Wand recorded his second Bruckner cycle with (the first one was with the Cologne Radio S.O.). I rather doubt Pentatone is using this M8, but I could be wrong. Nothing surprises me from the record industry.
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Gustav Mahler and Related Discussions / Re: What next? . . .
« Last post by Leo K on April 12, 2024, 08:49:44 PM »
I’ve since changed my mind about the Solti M8 - one day it hit me how good it was, the singers and driving force of the orchestra suddenly sounded great. I don’t know why but it was like hearing it again for the first time.
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Erik

As far as I know, all of Bychkov/CPO Mahler releases so far are based on live recordings.

John

Actually, you're probably correct and I'm mistaken. I went back and watched Pentatone's promotional YouTube videos for these recordings and it shows segments of them playing in front of an audience spliced with shots of Bychkov studying the score during the engineering process. I got the ideas mixed up.
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Correction. I was told it was not with CPO.

John
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