OK - I cranked this sucker on my B&W's today. Yowsa!
It's been a long time since I heard it, and in all honesty I have no idea what I was thinking the last time I played this (possibly tired, cranky, who knows?).....
Anyway, this is one hell of an M7. The tempi seem to be just about spot on (for the most part), which is one reason this works so well. Another reason for me is that he makes sense of every musical idea GM unleashes upon the listener, and it seems effortless (which is not always the case with M7). It's technical, but not mere technique if you will. There is a boatload of emotion on this recording as well, and the combination of a technically accurate and highly emotional M7 makes this a big time winner. The playing is also pretty kick-ass all around: great intonation, phrasing, dynamics, balance of strings/winds/brass/perc.
The recording itself is good, maybe even quite good, but it's a thick recording and gets a bit murky at times for my taste (nowhere as near as bad as the recent Abbado BP recordings - yuck). I cannot imagine what this disc would sound like if it had the DG Boulez engineering for example, but it doesn't. And as good as this one is, the playing is one notch below what Boulez commands in his M7 recording in terms of accuracy to my ears. Still, plenty of bass makes it sound powerful, but it is burnished tone all around. The moonlight episode is very good, but Boulez still plays that section to perfection.
Anyway, I still love a bunch of my M7's (the Chailly is not one of them), and this recording seems to have knocked Gielen down a notch - that is how highly I now regard this disc.
This is a winner folks! GET IT.