This Payare recordings sounds the exact opposite of the Bychkov, at least to me. Payare conducts this on the edge. He and the OSM REALLY are going after this piece. It's always moving forward, never slack, never dwells. Loved it. Wish more ensembles and conductors put this much in to their recorded work and concerts. This is not auto-pilot. I feel like we hear so much auto-pilot, that sometimes we forget the amount of excitement that can be developed from these works.
Recorded sound is excellent, but again very different than the Bychkov. Payare really focus' on the low strings, allowing the rest of the players to ride this amazing cushion of sound. Bychkov is balanced to the nth degree, and the low brass are potted down way too much.
Like both recordings quite a bit.