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1
That was a tad premature. I just finished the posting at 10:12am at BUY/SELL/TRADE.
2
Barry

I can't find your posting in BUY/SELL/TRADE section. Are you sure you posted there?

John
3
Hi. If you're at all interested, go to the appropriate BUY/SELL/TRADE section of the G.M. Board. It's in pristine condition (never played), and want to limit sales to within the U.S. Thanks.

Barry Guerrero
4
.   .  .   in my opinion, the same thing that happened to Tilson-Thomas. Once they're authorized to record a full cycle, they then think they have to come up an 'interpretation' - their own personal stamp.
5
The performance I saw him conduct of M6 in Berkeley with the Vienna Phil. was really terrific. I liked it far, far better than seeing Bernstein do it with the V.P.O. at Carnegie Hall (which certainly had its moments). It was like the Sanderling one, where it just had an accumulative effect as it went along. Powerful but never bogged down. 
6
> However, I just don't like Jarvi's now mannered and excessively fussy conducting.

---> That's precisely my point and view of Jarvi's Mahler cycle so far. Listen to his M1st and the mannerism and fussiness are even worse. What has become of Jarvi, the once king of cogency & consistency??

John
7
Oh, man, every track of the M6-9 sounds TERRIFIC!

This M6th is markedly FASTER than what I heard in a live archive and sounds very energetic and exciting^

I can't wait^

John
8
Agreed on all points on this recording based on the samples. I'm annoyed about them splitting the movements into several tracks, too. They did that for the M1.
9
Naaaah, this isn't for me. The sound is good and the playing is very good. However, I just don't like Jarvi's now mannered and excessively fussy conducting. I like his earlier Frankfurt performances more, which were captured on video. The 7th was particularly good from Frankfurt. I just don't like what he does here. I'm reminded very much of how Tilson-Thomas made a fine and very straight forward M7 in London (L.S.O.) for RCA, been then did his freak circus remake in S.F., where the first movement was about 1.5 times faster than the finale.

https://www.prestomusic.com/classical/products/9843183--mahler-symphony-no-7#tracklist
10
I am very surprised at the quicker tempo to the start of M6, and the movement is still 25 minutes.
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