10
>>Did you try Bychkov/NYPO M6th?
John, not yet but I'm beyond the point of M6 saturation and it will have to wait a while.
Jansons/BRSO is also excellent with way better SQ than some of the other BRSO entries, including Harding, a strong performance but rough going sonically. The Jansons/LSO Live has long been one of my favorites and it still impresses with an intense performance, terrific execution, and really good SQ.
And I was really surprised by how much I like Barbirolli/Philharmonia. The 1967 sound holds up very well and the slower tempo in the first movement has always felt right to me (though he omits the repeat). Almost everyone else sounds frenetic instead of powerful by comparison. And the woodwinds are no shrinking violets: they play with both unanimity and power that nothing else matches, though some come close. The oboes really shine.
I like Simone Young/Hamburg very much too. Third hammerstroke in place, very good SQ with genuine depth for a live recording, and a strong narrative line start to finish. Execution is a little ragged in the Scherzo.